Archive for the 'Post-Rock' Category

The Cumulus Festival

A friendly reminder that this weekend The Cumulus Festival is taking place. Tomorrow night’s show at the Vera is the only all-ages one and has quite the stellar line up including:

Bronze Fawn
You.May.Die.In.The.Desert
The Friendly Skies

Speaking of You.May.Die.In.The.Desert, Brandon and Mike were kind enough to join me in the studio to guest DJ with me during my radio show. I’ll be posting an archive of that in the coming days.

Now I’m off to go weep due to the Beach House show tonight being 21+

Unappreciated Post-Rock Albums of 2008

2008 was quite the year for music. And who could have scripted a better conclusion to the year that was in music than with the latest Animal Collective effort, Merriweather Post Pavillion, seeping onto the internets on Christmas Day. While I’m sure that most of us are slowly and pleasurably digesting this new album, there are a lot of albums from 2008 that went unnoticed. While I can’t possibly cover all of them, I will try my best to give credit where credit is due. MP3s from the albums can be found at the post’s conclusion.

UpCDownC… — Embers (2008)

Embers, the sophomore effort from Kent’s UpCDownC, is one of the year’s finest post-rock albums. In a year clouded with deserving praise for bands like This Will Destroy You’s S/T debut and Russian Circles’ Station, UpCDownC managed to discover a happy medium which I believe will cater to fans of both aforementioned established post-rock bands. The main flaw of Embers is that at times it feels a bit bipolar. The album ranges from beautifully constructed guitar melodies to heavy brutal riffs. Though I feel that this album is at its’ best in those songs saturated with pleasing melodic guitars, there is certainly something for everyone in this effort.

Johnathon Ford of Unwed Sailor
Unwed Sailor — Little Wars (2008)

Although this is a stretch, I figured I’d put this one down here for good measure. While Unwed Sailor is a well known band in the post-rock scene, I feel their music should be more popular than it actually is, which blows my mind. Little Wars, Unwed Sailor’s latest effort is more rock-based than anything they have done before (or at least anything since The Faithful Anchor). This album is the best translation of their live set onto CD to date. Look for History, their next effort, to be released sometime in ‘09.

Joakim @ you name it, Malmö

Moonlit Sailor — A Footprint of Feelings (2008)

Moving from Unwed Sailors to Moonlit Sailors (ugh, cheesy as hell, I know). This is one of the year’s most beautiful albums. The debut album from a Swedish Post-Rock band out of Malmo is solid gold. Absolutely stunning guitar melodies leads to a more commercial-poppy Explosions in the Sky-esque sound. I can’t really say enough good things about this album, so please check out the opening track at the bottom of this post.

Akira Kosemura — Tiny Musical

To say this album is a work of art is an understatement. One of my favorites of the year is this third effort from Japan’s Akira Kosemura. Utilizing simplistic acoustic guitar, piano, and organic beats, Kosemura is able to craft a innocent and genuine modern day masterpiece in the instrumental realm. Seriously, I can not say enough good things about this album. Buy it and listen to it again and again. Pure brilliance.

mikeys b day

You.May.Die.In.The.Desert — Bears in the Yukon

Of course, I had to end with a local favorite. You.May.Die.In.The.Desert’s Bears in the Yukon is an album which does justice to their live sets. This album rightfully conveys the energy and passion of the band on stage. Taking the theory used by Mogwai of applying layers upon layers of distortion, YMDITD takes this and applies it to the realm of delay. The aural pleasure of hearing the distressing ring of delay throughout an entire song has become the established trademark of this Seattle Post-Rock trio. While delay does indeed cloud the album, the band does not lose sight of constructing well-crafted songs ranging from ambient drones, to math rock riffs, and screeching feedback. One of this year’s most enjoyable post-rock experiences. Also check out their Harmonic Motions split with Gifts from Enola. Specifically the track The Sound of Titans — in my opinion their best work to date.

Akira Kosemura — Overture (Tiny Musical, 2008)
Akira Kosemura — Departure (Tiny Musical, 2008)
Moonlit Sailor — A Footprint of Feelings (A Footprint of Feelings, 2008)
Unwed Sailor — The Garden (Little Wars, 2008)
UpCDownC… — Cascades (Embers, 2008)
UpCDownC… — Our Flowers (Embers, 2008)
You.May.Die.In.The.Desert — Bears in the Yukon (Bears in the Yukon, 2008)

Edit

I realize I forgot to mention the awesomeness of Lymbyc Systym. They recently stopped by the daytrotter studios and recorded a session. You can find that here.

Also, check out their Field Study Split EP, which was released late this year with This Will Destroy You. Quality stuff.

Bronze Fawn In-Studio Performance (October, 11, 2008)

Way back at the beginning of Autumn Quarter at Rainydawg Radio, one of Seattle’s very own Post-Rock trio, Bronze Fawn, were kind enough to join me for an in-studio in the wee hours of the morning. Given that this was the first in-studio of the year, there were a number of expected technical difficulties along the way. I hesitated to post these MP3s for a while, as they do not reflect the quality of this Seattle band; however, I figure any exposure is better than no exposure. Please, blame me for the shitty mix and audio levels.

Bronze Fawn are a quality act and group of really great guys. They headline the Cumulus Festival Day Three at the Vera Project on January 25, 2009. You.May.Die.In.The.Desert as well as The Friendly Skies will also be playing that show. If you don’t go, and you’re in the Seattle area, I can say without a doubt that you hate music. Without further ado, here are the In-Studio mp3s.

Bronze Fawn — Megalodon

Bronze Fawn — Not Too Tropical

Why I Love Post-Rock…

My affinity for Post-Rock has grown infinitely over the past year. One of my favorite aspects of the genre is the seamless line between audio and visuals. In a sense, the visuals are equally as important as the audio. Take your pick of post-rock bands: Mono, Sigur Ros, Unwed Sailor etc. their physical music packaging are always pleasing on the eyes. Perhaps it could be due to the lack of lyrics in the genre which generates this motivation to create striking visuals. Regardless of the reasoning, I love it. Here’s one of my favorite Seattle Post-Rock bands Bronze Fawn integrating visuals into their live set.

Bronze Fawn — Moonbeam Death Ray (Lumber, 2007)